Raag Basant Panchami Tutorial. Chalan followed by Ālāp and Jhaptāl. Raag notation from Ustad Ali Akbar Khan's notations. [M= Shuddh, m= Tivra] Mārwā ThāT. M S Vadi Samvadi. Usually evening Rāg but anytime during Saraswati Pujā. Based on Shuddh Basant with various uses of Pancham (the use of Pancham somewhat similar to that of Raag Pancham and Lalit Pancham) Aroh Avroh SGmDS' / SGMDS' S'NDmDNDmMPGrS / S' NDmDNDmMPGrS Various uses of Pancham MPGrS - GPGrS S'NDP MPGrS S'NDPDN mMPGrS - less S'NDmDNP

Raag Lalit (Shuddh Dhaivat) Tutorial. Chalan followed by Alap in Swar and Akar, Jhaptal and Ektal drut compositions. Aroh Avroh ,NrGM mG mDS' r'NDmM GM Grs /GmGrS ThaaT Marwa M S Vadi Samvadi S G M long Nyaas N D short Nyaas Time :Night last prahar Hindol Ang mDS' in Uttarang is common. ThIs also called the Basant Ang (shuddh basant). r'NDmM is also common However mDNS' S'NDmM are also used. GMmMG - DmM Lalit Ang Difference with Shuddh Basant Temperament wise both Raagas are very close. S G M -

75K views · 3.5K reactions | Raag Desh Tutorial. Chalan followed by a self composed bandish in Tintal with notation. Mora Manwaa Kaise Laage Unbin Jiyaaraa Naahi Laage Saari Raina Rowat Rowat Unki Chhabi Naahi Bhoolat Difference with Sorat and Tilak Kamod has also been discussed briefly. #deshtutorial #Desh #ragadesh #deshmoumitamitra #deshtutorialmoumitamitra #ragaseriestutorialmoumitamitra | Moumita Mitra | Facebook