As Epigram concludes another year of stellar-quality music, our team of writers and editors cast their ballots for the best ...

The third installment in Rian Johnson’s whodunnit oeuvre is not only riotously entertaining and packed with great ...

Epigram attended three days of the Bristol Palestine Film Festival, Eve Perrins begins our coverage and review of the films ...

Will Eshelby reviews a subversive festive special, the Bonnie Blue Nativity at Lost Horizon ...

From diary-entry lyrics to grungy guitars, Nobody’s Dad discuss DIY songwriting, Rough Trade milestones, and why Bristol ...

The latest news and award-winning, independent journalism from students at the University of Bristol ...

Bursting with no need for a prelude onto our stages and ears in 2023, The Last Dinner Party are undoubtedly one of the most ...

Academy Award Winner Kathryn Bigelow’s long-awaited return to the director’s chair is a characteristically terse and utterly ...

Beth Nugent explores Ariana Grande’s heavy lifting, several weak performances, Jonathan Bailey’s oddly demonic look, and what ...

Millie Hicks and Betsan Branson William take on the age-old debate: book first, or straight to the adaptation?