The vision of modernity at CES creates excitement -- and bewilderment. But the new has always been disturbing, as shown in LACMA's New Objectivity: Modern German Art In The Weimar Republic, 1919–1933, ...
The end of the First World War shocked the arts, nowhere more so than in Germany. Empire was out. Democracy was in. A thin veil of liberalism shrouded the darker forces of defeatism, instability, and ...
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