For just a moment at the beginning of “Basra Boy” at the Keegan Theatre, the text sounds like a lyrical memory play, its narrative infused with romantic undertones. But then Rosemary Jenkinson’s play ...
Two feral Belfast ruffians. One mighty fine production. Or so the ad might justifiably read for "Johnny Meister and the Stitch," Rosemary Jenkinson's bruising account of the havoc wreaked by a pair of ...
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